Don’t Panic – Part 1
Camberwell Fine Art - Second Years
Camberwell College of Arts returns to Southwark Park Galleries with their second year Fine Art student exhibition Don’t Panic; a two-part exhibition featuring Camberwell’s four Fine Art specialities: Painting, Drawing, Sculpture & Photography over two weekends presented across both Dilston Gallery and
35th Annual Open
Now in its 35th year, The Annual Open exists to encourage artists at all stages of their career from across the UK to submit their work as part of a large-scale annual salon show. The Annual Open is a key date in
Re
A Bermondsey Artists' Group Exhibition
Caroline Gregory / Michele Fuirer / Natalie Webb / Charlie Fox / Louise Sheridan / Karin Wach / Cecilia Bentley Bortoluzzi / Caroline Areskog Jones / Jane Colling / Vivien Harland / Lisa Chang Lee / Kay Walsh / Jane Deakin /
Closing event //
RE: A Bermondsey Artists' Group Exhibition
To mark the closing of, RE: A Bermondsey Artists’ Group Exhibition, join members from the Bermondsey Artists’ Group for an Artists’ Floor Talk as they discuss their practices and work in the exhibition followed by performances by Caroline Gregory and Richard Layzell.
Dog Show
Contemporary Art. Chosen by Dogs. For Dogs and Humans.
For Dog Show, 15 cultured pooches who live with a variety of artists and curators have been invited to select their top dog-related artworks. With a little help from their human companions, these canine curators have selected artworks in what is believed
From the Kitchen Table:
Drew Gallery Projects 1984-90
Judith Ahern, Phyllida Barlow, Brian Catling, John Cobb, Maureen Connor, Jody Culkin, Bonita Ely, Catherine Elwes, Rose English, Rose Finn-Kelcey, Laura Ford, Hamish Fulton, Judith Goddard, Jason Hartcup, Ron Haselden, Andy Hazell, Wendy Howard, Tina Keane, Rob Kesseler, Sharon Kivland, David Mach,
Finissage Panel Talk //
Sandra Drew in conversation with Maryrose Sinn and Jayne Parker
‘The Third Generation of Women sculptors have stretched, pushed and extended the boundaries of sculpture so much that only by showing a range of work such as this can you begin to see what sculpture 1986 is about.’ – Sandra Drew 25
Realm
Hazel Brill, Richard Downes and Mr X
Realm is an experimental residency-based commission between a trio of London based artists Hazel Brill, Richard Downes and Mr X. Referred to as the ‘Lungs of London’* since the 18th century, our public parks are crucial to the balance of our urban
What a Relief!?
RCA: Print MA Interim show
What a Relief is the second of two collaborations with the Royal College of Art and continues a long-standing partnership between CGP London and the RCA Print Department. This annual features students of the second year MA programme and offers an exciting showcase with
Eyes of Many Kinds
RCA: Print MA Interim show
Eyes of Many Kinds is the first of two collaborations with the Royal College of Art and continues a long-standing partnership between CGP London and the RCA Print Department. This annual features students of the second year MA programme and offers an
MERGE
Camberwell College of the Arts // Second Year Fine Art
“To combine or join together, or to cause things to do this..” MERGE is a large scale group exhibition project featuring the works of the second year Fine Art students from Camberwell College of the Arts. The exhibition consists of two separate
#34 Annual Open Exhibition
Now in its 34th year, The Open exists to encourage artists at all stages of their career from across the UK to submit their work as part of a large-scale annual salon show. The Open is a key date in the gallery’s
SKEEN NITE (COME)
Plastique Fantastique / 0(rphan)d(rift>) with Kirsten Cooke / Benedict Drew
Plastique Fantastique / 0(rphan)d(rift>) with Kirsten Cooke / Benedict Drew SKEEN NITE (COME) Thursday 8 November 2018 6.30 – 9.30pm In the lead up to their 2019 exhibition at CGP London, artist collective Plastique Fantastique and friends host a night of performance,
DIFFIKUΛT
Marcia Farquhar
Join us to celebrate the first ‘non-survey’ of work by the iconic artist Marcia Farquhar. Marcia’s work in performance, installation and object-making is conceptual in nature; precariously balanced between the prescribed and the unpredictable – socially open, broadly embracing of circumstance, and resolutely